Ramon Novarro, with his devil-may-care charm, stars in the 1929 musical “Devil-May-Care,” one of Hollywood’s earliest talkies. This romantic comedy showcases Novarro’s transition from silent films to the world of sound, exhibiting a playful energy that captivates throughout. This article delves into the technical and artistic achievements of this early cinematic gem, highlighting Novarro’s performance and the impressive filmmaking techniques employed.
Novarro’s Devil-May-Care Performance Steals the Show
Novarro embodies the devil-may-care spirit of a young Bonapartist fleeing for his life. Hiding in a young lady’s boudoir leads to romantic complications, fueling the film’s lighthearted narrative. Novarro, already a seasoned actor, seems to relish the transition to talkies, embracing the swashbuckling nature of his character with mischievous charm. His performance dominates the screen, showcasing his considerable talent.
Early Sound and Cinematography Triumphs
“Devil-May-Care,” remarkably for its time, features impressive sound and cinematography. Director Sidney Franklin and sound artist Douglas Shearer skillfully navigate the challenges of early sound recording. The musical scenes, in particular, flow seamlessly, showcasing a mastery of the then-new technology.
Cinematographer Merritt B. Gerstad masterfully utilizes shadows, highlighting the beauty of black and white photography. The inclusion of a Technicolor sequence near the film’s conclusion further emphasizes the visual artistry of the production. This bold choice for the time demonstrates an innovative approach to filmmaking.
Memorable Music and Supporting Cast
Novarro’s singing voice, already a success in 1929’s “The Pagan,” shines in “Devil-May-Care.” He croons his way through a series of charming songs by Herbert Stothart and Clifford Grey, adding another layer of entertainment to the film. Dorothy Jordan and Marion Harris, playing the cousins vying for Novarro’s affection, deliver commendable performances. John Miljan provides comedic relief as a Royalist pursuing Novarro, while a cameo by Lionel Belmore as an innkeeper adds a touch of classic Hollywood charm.
A Fleeting Moment in History
The film’s backdrop is the brief resurgence of Napoleon in 1815, known as the Hundred Days. The protagonist’s initial elation at Napoleon’s return from exile is ultimately short-lived. Following Napoleon’s defeat at Waterloo and his final exile to St. Helena, this period marked the end of his reign and a significant turning point in European history. “Devil-May-Care” offers a glimpse into this historical moment, albeit through the lens of romantic comedy. The film’s devil-may-care attitude, reflected in both the title and Novarro’s performance, ultimately contrasts with the somber historical reality of Napoleon’s final defeat.
